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Article Published in THE HINDUSTAN TIMES
Chasing the Blues Down South
Navtej Sarna
Navtej Sarna drives through Tennessee,
Alabama and Louisiana following the Jazz and blues trail
As we listened to jazz on a heavily scented
Tehran evening and watched the sky darken beyond the rustling
chinars, a friend once said to me: “When you reach Bourbon
street, stop for a moment and think of me”. At that time, Bourbon
Street or for that matter New Orleans was not in my plans and I
forgot about it all. But now as I swept through the deserted
winter landscapes of Tennessee, Alabama and Louisiana, drawn
ineluctably to that southern port, whose very mention brings to
mind European charm, haunting music and the hedonistic Mardi
grass, those distant words began to drum again in my mind.
Entering the city by an impressive causeway across the sea-sized
Lake Pontchartrain iridescent under a setting sun, it’s difficult
to imagine that less that three hundred years ago, this was just a
steamy, slushy bog between the great Mississippi and the lake,
infested with alligators, snakes and mosquitoes. Settled by the
French, often convicts from French prisons, New Orleans went
through a difficult initial history, plagued by floods, fires,
epidemics and food shortages. It was ceded to the Spanish in 1762
and finally passed into the hands of the United States in 1803.
With its unique combination of hardheaded American business acumen
and gracious Creole living, quickly became a major American city.
It’s dusk by the time we park ourselves in a
comfortable and reasonable hotel. Sifting through the tourist
brochures, it’s obvious that there is much that can be done.
One can take the swamp tours, exploring the bayous under the moss
tangled cypress trees, admiring the alligators. Or one can do the
plantation route, following the history of slavery and the success
story of sugar among the elegance of antebellum houses. One can
walk through the elegantly carved above ground tombs of the great
cemeteries of New Orleans, where normal burial is ruled out by the
flooding of the swamp. But I am on a mission- I am chasing the
blues and in the thirty-six hours that I have, I must get to
wherever the music is.
The hotel is only a short walk to the French
quarter. Hurrying bands of youngsters and tourists are rushing
towards that direction. Bourbon Street is half shut on Christmas
night. It isn’t the crowded wild extravaganza that I thought it
would be. But as I walk up and down I can see how fast food
counters, souvenir shops and striptease joints are crowding the
jazz bars and courtyard cafes in. Even in that desolate mood,
music is drifting around. From the fast food places and the pubs,
from the balconies above, there is the strumming of guitars, the
thumping of drums.
Down the road there is a band belting out the
blues as a small crowd rocks around the door. A brightly lit bar
where Mark Twain is supposed to have hung out lies empty. But
before one can return to the hotel to nurse the disappointment of
that first visit, there is a sudden jamming of guitar strings that
takes hold of the street and a loud heavy voices sets the tone -
“The blues are all right…” - it’s Willey Lockett, a heavy showman
in a crimson coat with his band singing in a well hidden courtyard
café, mysteriously recessed from the street. I hang around the
gate and watch him perform, alternating his songs with fervent
sales pitches for his CD. He’s there well into the night and is
going to be there again the next evening. All is not lost.
It’s Sunday morning and the French quarter
have lost the sleazy touch of the evening before. It’s all clean
and bright and joyous. The sunlit, white Basilica dominates
Jackson Square where everybody is setting up shop. The tarot card
readers are amongst the earliest, each one with a small table and
a chair, the gypsy woman reading a magazine behind her table of
cards, the black caped Count Dracula who dodges the camera lens.
A clown with a painted face pensively takes in the scene; a mime
in a hat is frozen forever in stretched mid-stride. Fresh smells
of coffee and chicory and beignet crowd around the French market
near the riverfront. The notes from a baritone sax become the
center of the morning.
As lunchtime comes up, a jazz group takes
over the square. In a burst of revelry, the stylish sax rivals
the brassy trumpet and trombone as a crowd gathers in a spellbound
circle. The music is free and adventurous, as the performers duel
each other, one taking off where the other one leaves and coins
tingle in the bag that is passed around.
This evening there are no half measures about
bourbon street-every establishment is open and full and noisy.
Willie Lockett is still there but he has a lot of competition.
From New Orleans to Memphis is only a few
hours away along the Mississippi. It is flat endless country that
reminds one of cotton plantations and Huckleberry Finn. And it’s
the place where the blues were born, in the little towns of the
Mississippi delta, from the pathos and pain of a people struggling
to adjust to the end of slavery. In the delta, there are a
number of small non-descript towns, birthplaces of Blues greats
like Muddy Waters, B.B. King and Robert Johnson. And it is in the
delta that W.C. Handy who wrote the first blues song – Mr. Crump-
was inspired by a man strumming a guitar in 1903 at a train
station in Tutwiler. Handy evidently was inspired by the phrase –
where the Southern meets the Dog which referred to the crossing of
two old railway routes- the Southern and the Yazoo and Delta (or
yellow dog). This music from the fields ended up in the bars,
jukeboxes and saloons of Chicago and on Beale Street in Memphis.
There a young man called Elvis Presley turned it into rock n’
roll.
It’s on a chilly night that we reach Memphis
and a fierce wind is cutting through the town. It’s not a night to
be out but one cannot come to Memphis and not walk down Beale
Street. B.B. King called this street, that is all of two
hundred yards, a “city unto itself”, full as it is with music
halls, theatres, pawnshops, restaurants. In the cold it is
deserted, though a restaurant manager promises us that there will
be music till two in the morning. The neon lights of the B.B.
King café compete with those of Elvis Presley café as tiny flakes
of snow begin to fall. I recall the street in summer, choked with
tourists, holding tall glasses of beer and marguerites and
daiquiris in their hands while the blues were sung in bars and in
the park beyond, under the broad trees. It’s a pleasant thought
as we rush away to hot food and a warm bed, the long promised
pilgrimage over. |