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The
last monarch of Punjab, Duleep Singh, finally gets to have his
say in Navtej Sarna's new work of researched fiction, writes Jyoti
Sharma
Duleep
Singh would not have approved. Navtej Sarna doesn’t either.
The former spokesperson of the Ministry of External Affairs
and now India’s envoy to Israel is miffed that the shadow of
the Bollywood blockbuster Singh is Kinng is looming large on
his book on the last Maharaja of Punjab, The Exile.
“Reviewers are coming up with headlines like ‘Singh who
was king’ or ‘Singh who never was king’,” Sarna says
with a wince.
Sarna,
understandably, would want a very different treatment for his
tragic hero, a man who has long been seen as highly indecisive
and a wastrel. “He had honesty. For a man who was taken to
England when he was a child, had his kingdom taken away and
was even made to change his religion, he still had the ability
to figure out for himself what he wanted to do in life,”
Sarna says.
Duleep
Singh is not the first loser-protagonist that Sarna, the
author, has dealt with. His first novel, We Were Not Lovers
Like That, also revolved around an out-and-out loser. “Yes,
I am fascinated by such characters. Neither of my protagonists
is really a hero. They are weak, erratic and irresolute. But
they are honest and they show courage eventually. They turn
around; they rebel and decide to do things on their own terms.
They cling on to hope in the end, whether they achieve what
they set out to do is beside the point. Just the fact that
they tried is enough,” the bureaucrat-author says.
Not
satisfied with telling the story of Duleep Singh, Sarna got
inside the head of this king without a kingdom. “I have
known the story of Duleep Singh for years but it was only now
that I decided to write about him - and not as a historical
character but as a real person. Since the book is a mix of
fiction and non-fiction, the most difficult part was to find
the right structure for it,” he says.
Sarna
read through Duleep Singh’s correspondence, what historians
have said about him and visited Paris, Lahore, Moscow and
Elveden, where the king had spent his life. “I did
exhaustive research about visa processes, train timings and
even 19th century travelogues about how long travelling from
one place to another took,” Sarna reveals.
It
was getting inside the head of Duleep Singh that proved to be
the most difficult. “Duleep and his contemporaries have been
treated as historical personalities till now, and that tends
to be two-dimensional. Now I had to get inside his head and
present him as a rounded character. I got hold of whatever
memoirs, letters and pictures of him I could and kept his
portrayal within realistic limits. Even then, I checked and
re-checked everything I wrote,” the author says.
Ironically
for a book that addresses the theme of India's royalty being
mistreated by their British masters, Sarna’s first
promotional tour was of the UK. Considering Britishers don't
exactly come out smelling of roses in the book, what kind of
reactions did he get there? Sarna takes a philosophical view,
“History cannot be written only by victors. If lions won't
tell their story, hunters will.”
As
Sarna gets ready to take his post in Israel, he is set to
juggle his day job and his writing. “My day job remains my
primary responsibility. So it is quite a struggle to balance
writing along with it. Sometimes this balancing act leads to
frustration as well. But finally it is all about time
management, discipline and a bit of sacrifice. I don't get
time for other things when I am writing the book and that's
why I am not a very popular person around the house,” he
says with a smile.
His “sacrifices” will continue. If the author has his
way, up ahead would be a book of short stories. He has
earlier written The Book of Nanak and Folk Tales of Poland.
“I like writing fiction as it gives me more freedom to
play around with characters and write according to the
demands of my imagination,” he says, “Or maybe because
it is just easier.”
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