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The
Exile:
A maharaja's tragic journey
Rediff.com
October 15, 2008
What do you do when you have to chronicle the
tragic life and death of the last Sikh maharaja? You write a fiction
novel to capture the emotional churn that a human being, of the
stature of a maharaja whose kingdom is systematically annexed by the
British, goes through without distorting historical facts.
That's what author Navtej Sarna,
Ambassador-designate to Israel has done in his second work of fiction,
aptly titled The Exile. His first book, We Weren't Lovers
Like That was published by the same publisher Penguin in 2003.
Sarna, during his interaction
with readers at the book reading session at Crossroad in Mumbai was at
his animated best as he read selected passages from The Exile
and answered queries from those gathered for the event.
Incidentally, the author spent
almost nine years to research his subject -- Maharaja Duleep Singh,
Maharaja Ranjit Singh's youngest acknowledged sons. It was under
Ranjit Singh -- also popularly known as the Lion Of Punjab --
the kingdom of Punjab spread from the Sutlej to Khyber Pass. His death
in 1839 led to a slow and painful downfall of the Sikh kingdom which
was sytematically annexed by the British.
The Exile
is the heartrending story of Maharaja Duleep Singh who was separated
from his mother Queen Jindan after his father's death in 1839 and
converted to Christianity. Later he was disillusioned by the treatment
the British meted out to him and became a Sikh again. However, this
rebellion came in a tad too late as the British botched every attempt
Duleep Singh made to return to his motherland. As fate would have it,
Duleep Singh met his tragic end in a cheap hotel room in Paris.
The story is narrated by six
voices including that of Duleep Singh. Each one was chosen because the
author was looking for a person who'd have an authoritative voice;
somebody who'd have easy access to the maharaja throughout the 55
years of his life.
To gather as many facts as
accurately as possible the author traced Maharaja Duleep Singh's
footsteps across several continents and countries. His love of labour
took Sarna to England, Moscow, Paris, Lahore (capital of the Sikh
kingdom) and the Library of Congress in Washington, DC.
Actually, being a diplomat
helped -- he was posted in Moscow, Warsaw, Thimphu, Geneva, Teheran
and Washington, DC -- as most of his travel to these places was
work-related. Sarna, though, had to spend time beyond work for his
research.
'Twixt fiction and fact
On the cover of The Exile, noted Sikh
historian, author of many acclaimed books and the official history of
the Sikhs, Khushwant Singh writes: 'In (The Exile) Navtej Sarna
presents a gripping tragedy: a sordid tale of intrigue, treachery and
cold-blooded murders that greeted the end of the Sikh kingdom, and of
the exile to England of its last maharaja, Duleep Singh. A dextrous
mix of fact and fiction by a master storyteller that holds the reader
spellbound to the last page.'
So how much of The Exile
is fact and how much is fiction?
"That's the judgement the
writer and the critics have to make after reading the book," says
Sarna in response to a question from an avid reader during the book
reading.
"There is a temptation to
romanticise, there is a temptation to sentimentalise," when
somebody ventures out to write about the agony and the sadness in the
life of the last Sikh Maharaja, notes the author.
"But I think anybody who
does that exposes himself to the danger of severe criticism," he
adds.
The author said he has tried to
be very careful and stick to available historical facts and where he
wanted to extend the mood using fictional devices or created a comment
he tried his best to keep it "within the realm of the
probable".
"If you read the man's
letters you understand what he must have gone through and felt; so you
know you are not really out of sync so much with his thoughts except
they haven't been written down. So you are not going into wild
imagination," he asserts.
Their history, our
history
The interesting fact about Sarna's The
Exile is that it is an attempt by an Indian to chronicle the life
and times of the last Sikh maharaja who oversaw the British taking
away the Koh-i-noor, the most priced possession in his toshakhana
(treasury).
While attempts were made by
foreign writers to chronicle the life of Maharaja Duleep Singh,
Sarna's book "explores the emotional and psychological dimension
of the various dilemmas that he must have faced" under the
British tutelage.
But wouldn't an Indian author,
writing about an Indian maharaja deliberately try to glorify a king
condemned by history, asked one more discerning reader during the book
reading.
Interestingly, about five years
ago Khushwant Singh had cautioned the author not to make Duleep Singh
a hero when he discussed his interest in writing on such a subject.
"I am extremely aware of
that; he's not a hero, he is not a superman. In fact, when I met
Khushwant Singh whose comments are on the cover he'd warned me not to
make Maharaja Duleep Singh a hero. So I told him I will not make him a
hero but will try to tell only his story," replied Sarna.
Sample what the author had to
say about his subject:
"The fact is that Maharaja
Duleep Singh is a weak, irresolute man; he is a man who can go from
saying I want to go back to India, giving up on every thing and then
saying, no, no, but this winter there is a great shooting in Sardinia
and I want to go duck shooting." "In fact, Duleep Singh
comes out as a man whose personality was deeply impacted by the sense
of loss and non-belonging. I agree with you that there is a fair
danger of doing that (glorifying somebody condemned by history) but
that's where we have to be true to our own conscience."
Sikh, Christian, and Sikh
again
When the British took away Maharaja Duleep
Singh from Lahore, Lord Dalhousie -- the then viceroy of India --
decided that he should be taken to a place called Fatehgarh, a small,
little, mosquito-ridden camp of indigo planters on the banks of the
Ganga in UP (then United Province). He was taken to UP because the
British had no intention of keeping any symbol of Sikh political power
in Lahore.
However, his entry into the
Christian fold and back into Sikhism is an interesting story in
itself. He didn't become a Christian because he loved the religion or
didn't come back into the Sikh fold for the same reason.
"I suppose it was an
emotional moment but I think what comes out again is the sense of
political rebellion" that Maharaja Duleep Singh showed in doing
what he did, says Mr Sarna.
Essentially Duleep Singh was in
the keep of one John Logan -- a surgeon in the British Army and also a
Presbyterian missionary -- and his wife. In that instance he had
attendants who were Christian and was made to believe that
Christianity was the right way to live. He knew very little of Sikhism
and he thought that Hinduism was only ritualism. So in comparison he
was attracted towards Christianity.
According to the book Lord
Dalhousie had prepared a very detailed document to prove that there
was no undue influence used to convert Duleep Singh to Christianity.
However, 30-odd years later
Duleep Singh once again expressed his desire to become a Sikh and he
did it against all odds. The British wouldn't let him travel to India
fearing political trouble. So a delegation of five Sikhs congregated
in England and baptised him back into Sikhism.
It was a clear indication that
he had renounced and rejected Christianity in the same rebellious way
he had become a Christian earlier.
Jinhe Lahore nahin
dekhiya...
To conclude the book reading session Sarna
chose a very poetically written passage about Lahore in the voice of
Mangla, a maid-servant of Queen Jindan who becomes a very influential
personality as Duleep Singh's tragic journey continues. In fact,
Mangla is one of the six narrators apart from the subject himself who
tells you Duleep Singh's story.
Mangla: I still remember the
time when I reached the city of my dreams. A city whose glory was to
become my glory, at least for a while. We used to say in our village
that he who has not seen Lahore has not been born...
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